Sunday, 29 November 2009

Island in he Sky (1953)

This John Wayne vehicle about civil airline pilots drafted into the American Air Force during the world war is a simple rescue story about a plane, captained by indomitable Captain Dooley (John Wayne), which not only crashes but does so in uncharted territory.

The actual plotting is pretty well done with a bit of tension in some scenes, and the acting is okay on the whole. Pretty well filmed air scenes during the crash and the rescue operation too. Some of the dialogue is a little stilted and the voiceover is absolutely terrible though, making this a decidedly average film overall.


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Sunday, 22 November 2009

Sabotage (1936) - an early Alfred Hitchcock movie


Some people rave about this movie, but I saw it recently and... well, though some of Hitchcock's ideas were definitely beyond the capabilities of the filming technology of the time, it has to be said that the film really lacks much dramatic element at all. The storyline is weak, the dialogue frequently stilted or unrealistic, and the characters largely uninteresting or unsympathetic. It didn't help that the print hadn't been remastered very well, but it just didn't seem to have much going for it at all.


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Thursday, 19 November 2009

Sherlock Holmes Trailer

This one looks like it's going to be a lot of fun... I'm a big fan of Mark Strong, Jude Law can be good and looks like he will be here, and who could play the type of Sherlock Holmes portrayed here better than Robert Downey Jr?




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Movie Review - 2012

After the silly but fun Independence Day and bloated climate warning epic wannabe The Day After Tomorrow, Robert Emerich is back trying to destroy the planet again. In 2012 he chooses, rather than spaced out aliens or freaky weather conditions, the effect of a gigantic solar flare on the earth's core. Via some iffy-sounding science and lots of repetitions of the word "neutrino", we come to a stage where global collapse is imminent - tying in with an ancient Mayan prophecy, though that is merely a side-note of the movie's plot.

The movie starts in 2009 with an American Geologist visiting his Indian friend who has some unsettling news, and quickly moves through a few scenes in the next couple of years and settles on events in the ground zero year, 2012. Events quickly move forward and the story focuses mainly on two characters - Adrian, the young geologist mentioned above (Chiwetel Ejiofor) and unsuccessful (though published) author Jackson (John Cusack). Adrian has various issues with the way his boss (played by Oliver Platt) goes about things, and Jackson is trying to rebuild bridges with his two children and ex-wife (Amanda Peet), who has a new man in her life.

There are various other characters that flit in and out of the story, most memorably Danny Glover as the American President, George Segal as a former Soviet boxing champion and now manager (or promoter, not quite sure), and Woody Harrelson as a spaced-out hippy who just might have more idea of what's going on than almost anyone else on the planet.

The main problem with disaster movies (and why I generally don't like them) is that the narrative structure is far too predictable - you have the discovery of the problem, people in power not believing it, then being forced to, then the battle to survive with a very redemption stories along the way. 2012 tries to break with these conventions a little but still basically doesn't manage to do anything particularly new. I'll admit to being a harsher critic of special effects than most, and a lot of the time I wasn't really impressed by the SFX in 2012 - much of the action looked too cartoonish to maintain credibility, and some of the scenes with vehicles in them really didn't look very convincing at all.

The characters were developed a little, but only a handful had any meaningful depth - all the female characters were useless, not doing anything other than look worried, look impressed or scream. Hopeless lot. Chiwetel Ejiofor is a fine actor who showed his pedigree in Serenity and is good here too, and John Cusack is a reliable performer; however their stories a little too cliché and the lack of overall plausibility of the myriad unlikely deliverances from certain death prevent viewers from forming much of a connection with them. Danny Glover gives a moving performance though Thandie Newton as his daughter was mediocre (but then she's never done much for me). As mentioned before though, the writing hardly gives any of the female characters to make much of an impression.

On the plus side there are quite a few moments of unexpected humour, which to me worked really well - the world's ending but hey, that's no reason to be miserable all the time. The ending left me a little cold, though it has a similar taste of delicious irony to the mass of American refugees pouring into Mexico at the end of The Day After Tomorrow. Specifically the fact that the inconvenient male character in a love triangle was conveniently killed off (and, by all accounts, instantly forgotten by those who claimed to have loved him), and the fact that according to the science portrayed in the earlier part of the film this ending was actually impossible*, kind of ruined it. There was a good plot twist at the end, which made sense when you thought about it, but that wasn't enough to save the ending from being a bit of a mess.

There were definitely some enjoyable or exciting moments in the film, but it just overplayed the action to the point that it became ridiculous, and underplayed the characters to the point that we weren't all that interested in them. I did like it more than The Day After Tomorrow, but that's not a massive endorsement - 2012 is just about worth seeing, but that's it. Maybe you'll like it more if you're a fan of disaster movies; I have a general antipathy towards them.

Also directed by Robert Emerich:

Stargate
The Day After Tomorrow


* Potential spoiler, but I have to back up my statement earlier about the ending.

Don't read on if you feel it might spoil the movie for you.

Seriously, this is your last chance.


Okay, here goes:

The scientists have been postulating that the movement of the earth's crust, earthquakes, surface magma etc at the results of neutrinos from the solar flare mutating and causing the earth's core to heat up. Since nothing in the film ever suggests that this process has stopped - let alone reversed - is it reasonable to assume that the world's oceans wouldn't be evaporated? Even taking into account the cooling effect of the ice caps melting, if the earth's core continued to heat up, surely evaporation of even the immense oceans would be inevitable?

Also, on a side note, when the north and south pole are supposed to have moved, just how does this not affect the instrumentation in the airplane they're flying across the world in?

Maybe I'm just too picky... or maybe the scriptwriters should have thought a bit harder about it.


CaptainD - Movie Reviews Blog


Amelia Trailer

I don't know about this one, it looks okay but I'll probably wait for it to come out on DVD - I like Hilary Swank but I have to admit, the awful PS, I Love You has put me off her a bit.



See also:


Amelia interview - Hilary Swank


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Friday, 13 November 2009

Amelia interview - Hilary Swank

More about this movie

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2012 Interviews

Interview with John Cusack, Thandie Newton, Randy Emmerich and Chiwetel Ejifor about end-of-the-world movie 2012:

More about this movie

See also: 2012 Trailer


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What The Deaf Man Heard (1997)

Hardly new for a TV movie I know, but What the Deaf Man Heard takes a fairly intriguing idea - an abandoned boy finds certain advantages in pretending to be a deaf mute, and continues this deception into his adulthood - and does practically nothing with it. The man in question is played by Matthew Modine, who plays the role well enough, and there are fun appearances by James Earl Jones as a street savvy junk merchant who peddles moonshine on the side, Jerry O'Connell as the new Reverand who doesn't have much faith (in himself, that it), and Jake Weber as a truly vile young man who constantly manages to get others to do his dirty work for him. Tom Skerritt among others are rather wasted because all the worthy characters who want to do the right thing are just rather dull.

The first hour or so is tortuously slow, towards the end the pace does pick up a little and there are some genuinely funny moments. Towards the end it loses its way again and after the plot twist that we all knew was coming and one that we didn't (but which seemed just a little too ridiculous), the film meanders past its natural end in the last, but far from the first, overly sentimental scene.

Parts of it were fun and with better pacing and a snappier script, this could have been a really enjoyable movie. As it is What the Deaf Man Heard is a rather ponderous affair and completely wastes the main thrust of its plot by having the main character hear things mostly because he was hiding in the shadows (and not actually because of his supposed deafness), and paper-thin characterisation.



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Saturday, 7 November 2009

My Neighbour Totoro


Usually very weird and often quite wonderful, this is the tale of two young girls who've moved into a new area and befriend a local woodland spirit named Totoro. Sub-plots involve their mother convalescing in hospital and their father's efforts to balance work with looking after them, and the local neighbours (the human ones, that is).

Part of the Studio Ghibli collection and directed by the incomparable Hayao Miyazaki, I didn't quite love it as much as Spirited Away, but it's certainly a wonderful anime and I'd recommend it to everyone who likes the genre.



CaptainD - Movie Reviews Blog

Wednesday, 4 November 2009

Early Cinema - Primitives and Pioneers

Saw some of the shorts on this fascinating DVD (published by the British Film Institute) yesterday. It's a collection of 60 short movies from 1895 to 1911, ranging from extremely short vignettes and what appeared to be home movies or newsreel clips to excerpts from longer movies. The quality of the images for such old movies is amazing - all clips come from the BFI's National Film and Television Archive.

Accompanying the DVD was a short booklet with some information on each clip - I hadn't realised how many of the early films were actually remakes of even earlier movies (so remakes are far from a modern phenomena!), or live action reproductions of popular lantern slideshows. Very interesting stuff for all movie buffs (not that I really class myself as a movie buff, but I do have an interest in the early days of cinema).

What particularly stuck me was how modern some of the ideas were and even the techniques, primitive though they were, were often recognisable as methods popularly used in cinema today. Most of all I was struck by the excerpt of George Melies' Voyage a travers I'impossible (The Impossible Journey) - the imagination and techniques used were amazing for the time. See it below: (though I guess with Jules Verne's From the Earth to the Moon being written in 1865 and other visionary sci-fi coming around the same time, perhaps the level of imagination and bravado shown isn't that surprising.)




Early Cinema: Primitives and Pioneers on the BFI website


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Monday, 2 November 2009

2012 Trailer

Is this going to be just another special effects extravaganza with no substance? Well, quite possibly to be truthful, but Roland Emmerich did give us Stargate, so I'm willing to give it a try...




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